Tell the Truth 2024

The effort to canonize former President Jimmy Carter as a secular saint involves a heavy dose of whitewashing, as we’ve seen across the Regime Media spectrum. Spanish language media is no exception, as NBC affiliate network Telemundo demonstrates.

The Regime Media are stepping over each other to see who can offer the most sycophantic coverage of the legacy of the 39th President of the United States, Jimmy Carter, who passed away yesterday at the age of 100. It appears that a frontrunner has emerged.

The 39th President of the United States, Jimmy Carter, has shuffled off this mortal coil at the age of 100. Those who remain and are tasked with covering his passing have chosen to do so while putting a rosy glaze over his presidency. In doing so, they neglected history.

One of the ongoing subcycles of the past quadrennium was the Regime Media’s lack of interest in covering or even mentioning the obvious cognitive decline of President Joe Biden. With barely three weeks remaining in his term, whatever discussions about Biden’s decline come across as forced by the recent devastating Wall Street Journal article.

The horrific murder of a woman on the New York City subway, by involuntary immolation at the hands of an illegal migrant, has shocked the nation while going almost unreported on the “legacy” networks. Today NBC Nightly News broke the ice, leaving ABC Whirled News Tonight as the lone network holdout.

The Regime Media, with just weeks remaining in the Biden presidency, appear uncertain as to how to cover one of his big legacy items: the commutation of 37 out of 40 federal death row inmates. Evening news coverage ranged from treating it as an afterthought to making it all about Biden. 

Three days before Christmas, the nation is horrified to learn details of the murder by fire of a woman on the New York city subway. The one legacy media newscast that bothered to report this story omitted significant details regarding the suspect’s immigration status.

Christmas may be upon us but politics rests for no one, as we see on CNN State of the Union. Host Dana Bash once again tries to push the tired “King Elon” narrative but CNN commentator Scott Jennings was there to quickly and expeditiously shut it down.

It appears that the Regime Media, which just a few months ago breathlessly covered every aspect of civil and criminal litigation against former and future President Donald J. Trump, now have little interest in updating the status of one of the pending trials. There was nary a peep on the network evening newscasts about the disqualification of Fulton County District Attorney Fani Willis from…

The Regime Media went into full meltdown mode over the death of the 1500-page cromnibus bill that went down in flames once DOGE chairs Elon Musk and Vivek Ramaswamy became aware of some of the bill’s provisions. D.C. media reacted at the very un-D.C. pressure placed upon the cromnibus with equal parts shock and horror.

At this stage, the motive of the Madison school shooter seems pretty clear, but the network news seems hesitant to report what it is. Of course, this generally means that the motive is inconvenient to prevailing leftwing narratives or identity politics. This case is not the exception.

The DOGE chainsaw won’t officially rumble to life for another 34 days, but one of its potential targets insists on calling attention to itself. The Public Broadcasting System (PBS), although taxpayer-funded, insists on pretending it is MSNBC as it covers House Democrat committee chair races.

Part of the reason that there is a crisis of confidence in the media is because of the sense of absolute moral certitude with which they look down upon anyone who strays from the preordained consensus, even as they themselves spit out active disinformation. As CNN’s Abby Phillip demonstrates, sometimes these efforts fail hilariously.

Outgoing CBS Evening News anchor Norah O’Donnell is making the most of her remaining time at the Tiffany Network. Tonight’s final story stood as an ode to Justice Ketanji Brown Jackson, and to her cameo performance in a Broadway play.