A.O. Scott

For snobby liberal film critics, few match A.O. Scott of The New York Times. I remember giggling at this puff on PBS for a George Clooney message movie: "I liked 'Syriana.' I thought it was very hard to follow in a way that I found very engaging and bracing. I felt like the arguments it was making and the connections it was making were very interesting." So it’s no shock that Scott would…

In the aftermath of the Oscars, New York Times fashion reporter Eric Wilson bizarrely documented an example of "feminine repression" on the red carpet in Monday's arts section. Almost as silly was a Critics' Notebook from the painfully political movie review duo Manohla Dargis and A.O. Scott, who delivered the shocking news that Hollywood movies are less than historically reliable, while…

New York Times movie critics A.O. Scott and Manohla Dargis team up for next Sunday's edition (posted early online) to once again pour their peculiar brand of pretentiousness over the latest crop of innocent films: "Movies in the Age of Obama." In the summer of 2011, Dargis lamented "the symbolic phallus" present in the form of a rifle in a Western. Last July she managed to make a villain out…

As shown on Times Watch this morning, New York Times media reporter David Carr may pooh-pooh the idea of liberal bias. But he's a stronger supporter of the First Amendment than some of his Times colleagues, like movie critic A.O. Scott, who ludicrously defended a left-wing journalist's vandalism of the subway poster as "free expression" and even "democracy." In "The Sweet Spot," a weekly…

New York Times movie critic A.O. Scott didn't much like "Won't Back Down," about two mothers fighting uncaring teachers and immovable bureaucracy (including the teachers' union) in an inner city school. Scott, a liberal, ironically warned that pious expressions of concern for 'the children' are usually evidence of a political agenda in overdrive" (as if liberals never bleat about "the children…